Exhilarating Blankness

22 01 2010

Love Love Love #2

I never realized the sense of security that comes when inspiration flows freely like the rain that’s been falling for several days. This activity is a useful practice to stave off practical concerns of the world; useless thoughts and emotions. Creative inspiration also balances aspirations for success; however we define it.

So when this inspiration eludes us for any amount of time it’s disconcerting.

That’s why relief washed over me at lunch when Matthew Heller shared this, “Right now I have a blankness of who I am as an artist, which is terrifying and exhilarating because I have an open world to me of what I could do.”

We talked about the creative process when moving from one phase to the next. He agreed that a plan can be “understanding that you don’t need to know what’s next.” What’s important is not being lazy; continuously working through what may seem like a “mess” to get to what your next piece of art will become.

Art will evolve through your actions.

My own writing process in influenced by interests that are far-reaching, from art and fashion to the business of marketing, so my splintered inspiration is never linear. Matthew shared that his work sometimes evolves from a phrase that could be a song title into a single word that inspires a painting. It’s not easy to talk about art, but we had fun.

Inspiration shifts as life circumstances change. Matthew’s work in 2006 contained clear positive emotional content influenced by his personal life. Art discussions and Matthew’s explanations came easily. His audience understood why the painting made sense in their life. In 2009, perhaps because Matthew has a family of his own now, he keeps his personal life close to the breast and his work is less universal on a human emotional level; though it is all about the universe. The work is more challenging to understand and more difficult to discuss.

Untitled

This shift in his work has changed Matthew’s relationship with his audience. Then people connected with his art more as objects to hang on their walls, and now people want to look at the art and “think.” He got many inquiries from his most recent show at Bergamot Station, at both the gallery and direct to him, about the art and its meaning even thought he’s doing much less explaining than he used to.

Matthew’s work has increased significantly in value over the past few years. His newer content is affording him deeper connections with his buyers through fewer pieces. If economics are an issue, Matthew’s audience can experience his work in a museum like settings through his gallery showings and reach out and talk to him about their experience, even if they can’t carry a piece home and hang it.

Matthew’s accessibility as an artist has been greatly helpful in my own journey. The confirmation that not knowing is okay but continuing to work through the unknown is an important lesson for us all. Inspiration does not come to the lazy.

Matthew shows again in March.





“You get what you need”

17 12 2009
Matthew Heller - Homage to Music

Matthew Heller - Homage to Music

I sat down to coffee with Matthew Heller just days after encountering his show, “The Great,” in Santa Monica. Spending time with him in person was just as relaxing and inviting as viewing his work.

Our conversation moved easily from inspiration, influence, and instinct to the business of art. As a consultant, I’m naturally curious about the process behind any profession and Matthew, a career artist, was happy to share.

“My goal is that I put every ounce of myself as an artist into each piece.” Matthew explained after telling me a story about a gallery owner who’d given him questionable advice early in his career about increasing his marketability by making some pieces better than others.

Matthew enjoys the validation of the “four white walls” of a gallery, as is clear by his decade long resume of exhibitions. He also shared that he’s interested in showing in some of the most prestigious galleries when those opportunities arise. However, what’s most impressive to me about Matthew is what he’s done with his brand and his instincts to gain direct access to his audience. He gained the freedom to do what he wants with his art to get what he needs to support his goals in life; family and art.

Matthew Heller - If Not For You

Matthew Heller - #1 If Not For You

Matthew explained to me the traditional path of an artist. Go to graduate art school, become affiliated with a gallery and eventually gain funding from a gallery or third-party to continue doing art. I’m over simplifying of course, but the point is the funding comes from third parties and the art an artist creates is for these third-party project; not necessarily for the artists themselves. The intentions are different under these circumstances.

In Matthews case, he came up with a series called “Homage to Music.” These pieces are song lyrics painted on canvas. People loved them. Matthew’s theory was that these pieces would allow people to open up to his work more easily and allow him entry into their homes. He was right! Through one piece he generated “a ripple in the ocean,” setting the blogosphere on fire. He committed to 50 original pieces and sells them directly to collectors. This two-and-half-year project has allowed him time to work on other pieces of art that inspire him. He has created an entire body of work that is just Matthew’s point of view. He told me when he’s in the studio he doesn’t want to think about the business of art or what will sell.

Mattew Heller "The Great"

Matthew says, “The one thing about making art that I think is different is you can completely rely on yourself. As an artist, you can be home in your studio making art…making art should be the career, everything after that is the business that hopefully other people can do for you.”

After the “Homage to Music” series took off, the opportunities arose to show his alternate body of work and Matthew had an entirely different mindset. His direct connection with his audience over the past few years made him want to consider more carefully the space and it’s patrons because this new collection was made for him and the audience that gets him; not a specific gallery.

The way I see it, creating work unattached to a third-party made the work more honest to his brand allowing him to draw in his true audience. Not an audience already in place and predetermined by a third-party. Matthew’s first choice was to show in downtown LA in a show where monetary gain was not the primary goal. He liked the space and the people. Matthew explained that this was one of the best shows he did because it generated so many more opportunities with people truly interested in this new body of work.

This body of work is what ultimately landed in Santa Monica and where I ended up running into him. Matthew’s holistic perspective about his brand takes into account his audience and his personal goals in life. This makes his work true to who he is and more real to the viewer. There is no doubt that he will have continued success and he will continue to get what he needs by doing what he wants because his audience will find him; just like I did!





Drag Me To Heller

11 12 2009

I sojourned to Bergamot Station in Santa Monica today. Viewing art inspires my writing as I believe words are better read next to intriguing visuals. There was one artist in particular that caught my eye. Not because his work featured my name, but because he seemed open and free.

Matthew Heller spoke to me loudly with colors and moods, use of words and his fearless empty space on the canvas. His stuff is honest! I love an artist that’s not afraid to leave room on the canvas for you to think. It’s like having a conversation with an old friend; no awkward silences.

Some of his poetry reminded me of those word magnets. You remember, they were popular about 10 years ago. We used to stick dozens of them on the refrigerator and try to make sentences out of them. His poetry is sort of like those word puzzles used to come out; very stream of conscientiousness. I like it.

Matthew’s color pallet is both energetic and soothing. The loud florescent mixed with warm tones made me want to spend time with the work. This “Warrior” piece has my name all over it, not literally, that’s another piece. This wasn’t featured in the exhibit but was a nice surprise when I viewed his website later.

I’d like to sit down and have coffee with this guy or invite him over for dinner with my family. I feel like I know him already.

Go visit his work at Galerie Anaïs at Bergamot Station in Santa Monica.